Chula Vista—On March 29, artist-in-residence Melissa, known as Melicha, closed her six‑month residency at Casa Casillas with “Espinada,” a cactus‑themed solo exhibition exploring grief, healing, and life transitions through metaphor and material. Hosted by the city’s new gallery space, the show invited visitors to walk through interconnected works that spill beyond traditional frames and into the room.
The exhibition’s centerpiece series links raw canvases with strings to a partner piece hidden behind a wall, a physical thread evoking emotional ties. “I wanted the pieces to be interactive with the space, not just boxed into canvases,” Melicha explained. “They all have to do with a moment in my life where I was going through some difficult things.”
Among the works, “Alone in My Bed at Night” confronts anxiety and depressive nights with an image of a pierced figure, blood leading to a string that connects across the gallery. Its message is both vulnerable and communal: “Even though this piece is titled ‘Alone in My Bed,’ I know that I wasn’t alone, and nobody is alone when you’re lying in bed filled with grief and misery. There are so many people in your life that care about you.”
Balancing the heaviness, a family series honors the anchoring presence of loved ones, including portraits of grandparents and parents, plus video installations. A childhood memory—falling into a cactus at her grandparents’ overgrown yard—threads biography into the show’s cactus motif, turning pain into symbol and story.
Visitors could also browse prints and stickers drawn from Melicha’s recurring heart imagery, priced at $15 and $3, respectively, with sales via Venmo or Zelle. The gallery was open from 1:00 p.m. to 5:00 p.m. on March 29 for the final viewing, and while the exhibition comes down, some works may remain visible in the artist’s studio until the end of April. Next up, Casa Casillas welcomes the residency of Herman Rojas.
As Chula Vista works to grow its arts ecosystem, “Espinada” underscores the impact of civic support. “It is really rough out here as an artist… Chula Vista doesn’t have that big of an art scene, so it is really great to have these institutions that hold that space,” Melicha said, thanking the city, Casa Casillas, and her family.
In a place still defining its cultural identity, intimate shows like “Espinada” pose a larger question: how can local institutions and communities continue to nurture artists who turn private pain into public meaning?